Lihaaf The Quilt 2019
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“Lihaaf” (“The Quilt”) is a 1942 Urdu short story written by Ismat Chughtai. Published in the Urdu literary journal Adab-i-Latif, it led to much controversy, uproar and an obscenity trial, where Ismat had to defend herself in the Lahore Court as well for this work. She was asked to apologize which she did not and also won the case, after her lawyer pointed out that the story makes no suggestion to a sexual act, and prosecution witnesses could not point out any obscene words, and the story is suggestive and told from perspective of a small girl.
In the coming decades it was widely anthologised, and became one of her most known works, besides Angarey which remained banned for several decades.  Years later, she mentioned in detail the court trial in her noted memoir, Kaghazi Hai Pairahan (A Life in Words: Memoir). Though it received attention for its suggestion of lesbianism, it also deals with the insulated and suffocating life of a neglected wife in the feudal society. It became a landmark for its early depiction of sex, still a taboo in modern Indian literature, let alone Urdu literature.
The story is told from the point of view of a small girl who is the niece of the protagonist, Begum Jan. Begum Jan has had a very depressing life after marriage. Her husband, the Nawab, was much older than her and was thought to be extremely respectable for never having had any encounters with prostitutes. But it is soon revealed that it is because his interests lie in the other gender. The lonely Begum starts to wither but is saved by Rabbo, her masseuse. Rabbo is a servant girl who is not so pretty but very deft with her hands. When the narrator is left at Begum Jan’s place by her mother, she realises that despite her past admiration of love for Begum Jan, there lie many secrets with her. At night, the great shadows formed by the quilt of Begum Jan and her odd behavior in the absence of Rabbo bring to light their hidden relationship, traumatising the narrator.